Bruce Davis, Longtime AMPAS Executive Director, Dies at 83

‘Woman Unknown’ Director May el-Toukhy Talks the Torment of World War II ‘Horizontal Collaborators’ and Venice’s Female Director Snub: ‘It’s a Structural Problem’

Venice’s Lone Female Competition Director May el-Toukhy on Gender Gap: “I’ve Never Heard a Female Director Being Called a Genius”

Jim Geoghan Dies: ‘Suite Life Of Zack & Cody’ Co-Creator & Producer Was 79

‘Saw: Genesis’ Creative Director Talks Multiplayer Build, Expanding The ‘Saw’ Mythology & Putting Players Through The Wringer

‘Monsters of God’ Director Eric Goode Breaks Down the Finale Reveal: ‘He Was Like an Alcoholic Running a Liquor Store’

Jim Geoghan, Co-Creator of ‘The Suite Life of Zack & Cody,’ Dies at 79

Director Pawo Choyning Dorji, Cellist Yo-Yo Ma Team On ‘A Song For The Snow Lion’ Set In Himalayas Of Bhutan – Telluride Film Festival

‘The Pitt’ star Ernest Harden Jr. dedicates Emmy to Bette Davis in speech: ‘This one is for us’

‘Look Back’ Director Hirokazu Koreeda On Adapting Manga And Learning To Live With The Ghosts Of The Past – Venice Film Festival

‘September 5’ Director Tim Fehlbaum Working on a ‘Historical Film’ Set in Berlin as Swiss Filmmakers Take on Challenges and Opportunities of Shooting in English

Liam and Noel Gallagher Raise Fists and Electrify Venice as Oasis Doc Gets 8-Minute Standing Ovation

‘Oasis: Don’t Look Back In Anger’ Is About “Reconciliation, Redemption, And Forgiveness”, Says Steven Knight, As Liam & Noel Hit The Lido — Venice

Gallagher Brothers Skip Venice Press Conference for Concert Doc

‘Oasis: Don’t Look Back In Anger’ Review: The Gallagher Bros. Bury The Hatchet In A Sentimental But Funny Concert Movie – Venice Film Festival

Korea Box Office: ‘The Odyssey’ Eclipses ‘Spider-Man: Brand New Day’

China Box Office: ‘Once Upon a Time in the Middle East’ Continues Dominance

Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival

Paul Thomas Anderson’s New Movie ‘Cameron Winter at Carnegie Hall’ Sets World Premiere at NYFF

‘Oasis: Don’t Look Back in Anger’ Review: An Uncharacteristically Polite and Sentimental Portrait of a Raucous Band and Phenomenon

Korea Box Office: ‘The Odyssey’ Outmuscles ‘Spider-Man: Brand New Day’ to Hold Top Spot