‘Saw: Genesis’ Creative Director Talks Multiplayer Build, Expanding The ‘Saw’ Mythology & Putting Players Through The Wringer

‘Woman Unknown’ Director May el-Toukhy Talks the Torment of World War II ‘Horizontal Collaborators’ and Venice’s Female Director Snub: ‘It’s a Structural Problem’

Venice’s Lone Female Competition Director May el-Toukhy on Gender Gap: “I’ve Never Heard a Female Director Being Called a Genius”

‘Plaza Catedral’ Director Abner Benaim, Chile’s Daniela Vega and Alfredo Castro Board Fiction Series ‘School of the Americas’ (EXCLUSIVE)

Groundbreaking Roma Director Alina Șerban on ‘Pain,’ ‘Joy,’ of Historic, Venice-Bound ‘I Matter’: ‘I Managed to Do Something Impossible’

‘Bunker’ Review: A Tech Billionaire Asks Javier Bardem to Build a Doomsday Ark in Florian Zeller’s Heavy-Handed Social Thriller

‘Monsters of God’ Director Eric Goode Breaks Down the Finale Reveal: ‘He Was Like an Alcoholic Running a Liquor Store’

Ellen Burstyn Talks Future Direction Of U.S. As She Receives Venice Career Award: “I Pray My Country Finds Its White Line”

‘Widow’s Bay,’ Mariska Hargitay, Stephen Colbert are among the 2026 Creative Arts Emmy Awards winners

Director Pawo Choyning Dorji, Cellist Yo-Yo Ma Team On ‘A Song For The Snow Lion’ Set In Himalayas Of Bhutan – Telluride Film Festival

Garret Dillahunt talks naked ‘Lanterns’ scene and ‘the ballsiest part’ of it all

Paul Thomas Anderson Concert Film ‘Cameron Winter At Carnegie Hall’ Sets NYFF World Premiere

Liam and Noel Gallagher Raise Fists and Electrify Venice as Oasis Doc Gets 8-Minute Standing Ovation

‘Oasis: Don’t Look Back In Anger’ Is About “Reconciliation, Redemption, And Forgiveness”, Says Steven Knight, As Liam & Noel Hit The Lido — Venice

Gallagher Brothers Skip Venice Press Conference for Concert Doc

‘Oasis: Don’t Look Back In Anger’ Review: The Gallagher Bros. Bury The Hatchet In A Sentimental But Funny Concert Movie – Venice Film Festival

Korea Box Office: ‘The Odyssey’ Eclipses ‘Spider-Man: Brand New Day’

China Box Office: ‘Once Upon a Time in the Middle East’ Continues Dominance

Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival

Paul Thomas Anderson’s New Movie ‘Cameron Winter at Carnegie Hall’ Sets World Premiere at NYFF

‘Oasis: Don’t Look Back in Anger’ Review: An Uncharacteristically Polite and Sentimental Portrait of a Raucous Band and Phenomenon