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Toronto: 5 Things the Fest Told Us About the Oscar Race
Hollywood Reporter|9/20/2026
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The Best Films of the Fall Festivals: THR Critics’ Picks
Hollywood Reporter|9/19/2026
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‘Masc’ Review: A Neurodivergent Gay Man Navigates the World in a Striking and Distinctive Debut Feature
Hollywood Reporter|9/18/2026
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‘Closing Night’ Review: Sarah Paulson and Naomi Watts Lead a Deluxe Cast in a Shrill Family Melodrama in Search of a Binding Tone
Hollywood Reporter|9/16/2026
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‘The Last Photograph’ Review: Zack Snyder Tries Indie Filmmaking on for Size, With Painfully Ponderous Results
Hollywood Reporter|9/14/2026
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Six Years After Starring Father Died Soon After TIFF Short Premiere, ‘Strong Son’ Director Returns With Grief Drama
Hollywood Reporter|9/14/2026
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Zack Snyder’s ‘The Last Photograph’: First Reactions
Hollywood Reporter|9/14/2026
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‘Lemonade’ Review: Newcomer Lewis Brophy and Barry Keoghan Lead a Paint-by-Numbers Irish Drama About a Teen Caught in the System
Hollywood Reporter|9/14/2026
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Seth Rogen Surprised By Toronto Career Achievement Award at 44: “You Got a Letter From My Doctors?”
Hollywood Reporter|9/14/2026
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Toronto Awards Analysis: ‘I Play Rocky’ Channels Namesake, Could Follow in Its Oscar Footsteps
Hollywood Reporter|9/13/2026
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Sorry, Caleb Hearon Is Not Your Clown in ‘Trash Mountain’ Grief Dramedy
Hollywood Reporter|9/12/2026
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‘The Housewife’ Review: Naomi Watts Is Superb in an Initially Riveting, Increasingly Generic Portrait of Deceptive 1960s American Domesticity
Hollywood Reporter|9/11/2026
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‘Stuffed’ Review: Jodie Comer Rises Above a Limp, Gross-Out Corpse-Themed Musical
Hollywood Reporter|9/11/2026