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‘Below’ Review: Josh Hartnett’s Silly Netflix Creature-Feature Is a Treat for the Eyes and Ears and Not Much Else
IndieWire|10/8/2026
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‘Cupertino’ Review: Robert and Michelle King’s Slick and Spiky Legal Drama Takes on Today’s Most Noxious Tech
IndieWire|10/8/2026
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‘The Social Reckoning’ Review: Aaron Sorkin’s Facebook Files Only Expose Bad Performances and an Even Lousier Script
IndieWire|10/7/2026
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‘Lanterns’ Finale Review: Episode 8 Makes the Hard Choices — and Leaves a Light on for Season 2
IndieWire|10/5/2026
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The Best Shows in Vegas to Spend All of Your Hard-Earned Gambling Money On
Rolling Stone|10/2/2026
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‘Dark Matter’ Season 2 Tests the Limits of Apple TV’s Sci-Fi Obsession
IndieWire|8/28/2026
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‘Sterling Point’ Review: Megan Park’s Teen Drama Is a Delightful Summer Escape — and Honest Where It Counts
IndieWire|8/5/2026
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‘The Hawk’ Review: Will Ferrell’s First Netflix Series Is a Lame Comedy — or a Bizarre Addiction Drama
IndieWire|7/16/2026
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‘Lucky’ Review: Anya Taylor-Joy’s Well-Acted Apple Series Is More Plucky Than Good
IndieWire|7/15/2026