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Review: Supergirl is not the disaster its low box office suggests
Ars Technica|7/4/2026
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2026-06-282026-07-04
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Stories (Latest First)
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Review: This Iconic Musical Reminds Us That Open Debate Still Matters
Reason Magazine|7/4/2026
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Sienna Spiro’s ‘The Visitor’ Introduces an Electrifying Voice That’s Here to Stay: Album Review
Variety|7/3/2026
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‘Mary Oliver: Saved by the Beauty of the World’ Review: A Portrait of America’s Favorite Poet That Reckons With Her Popularity and Her Privacy
Variety|7/3/2026
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Rosalía’s Brilliant ‘Lux’ Tour Brings Cross-Disciplinary Delight and Splendor to L.A.’s Kia Forum: Concert Review
Variety|7/2/2026
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‘Young Washington’ Review: Just In Time For America’s 250th Comes A Sanitized Origin Story About The First U.S. President’s Early Life On The Battlefields
Deadline|7/2/2026
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‘Minions & Monsters’ Review: Illumination’s Mascots Prove Surprisingly Charming in a Golden Age of Hollywood-Inspired Throwback
IndieWire|7/1/2026
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YouTube TV vs. DirecTV: Which Live-TV Streaming Service Is Best?
Rolling Stone|7/1/2026
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‘Young Washington’ Review: George Washington Goes to War in an Angel Studios Film That’s Like the Great-Man Biographies You Read in Grade School
Variety|7/1/2026
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‘Enola Holmes 3’ Review: Millie Bobby Brown’s Charming Young Detective Saga Has Some Growing Pains
IndieWire|6/30/2026
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‘Enola Holmes 3’ Review: Millie Bobby Brown Returns in a Frisky and Grown-Up Installment from ‘Adolescence’ Helmer Philip Barantini
Variety|6/30/2026
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Louis C.K.’s Misery Is Infectious in His ‘Ridiculous’ Return to Netflix
IndieWire|6/30/2026
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Samsung Music Studio 7 review: A great speaker on its own, and even better in a pair
Engadget|6/30/2026
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Louis C.K. Re-Enters the Mainstream With Caustic Netflix Special ‘Ridiculous’: TV Review
Variety|6/30/2026
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‘Minions & Monsters’ Review: Animated Anarchy Hits The Hollywood Hills In Pierre Coffin’s Deliriously Cine-Literate Slapstick Comedy
Deadline|6/29/2026
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‘Elle’ Review: Amazon’s Dull and Deluded ‘Legally Blonde’ Series Isn’t Even a Comedy
IndieWire|6/29/2026