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‘The Drama’ Review: Zendaya and Robert Pattinson Get All Dressed Up With Nowhere to Go
Hollywood Reporter|3/31/2026
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Stories (Latest First)
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‘The Last Critic’ Review: Legendary Critic Robert Christgau Gets a Generous Homage in a Doc Revisiting Six Decades Chronicling the Best and Worst in Music
Hollywood Reporter|3/20/2026
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‘Peaky Blinders: The Immortal Man’ Review: Cillian Murphy and Barry Keoghan Battle as Wayward Father and Son in Netflix’s Frothy Sequel Film
Hollywood Reporter|3/20/2026
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‘Mr. Burton’ Review: Harry Lawtey Plays Richard Burton in a Poignant Drama About the Actor and His Adoptive Father
Hollywood Reporter|3/20/2026
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‘Drift’ Review: Gripping Doc About Climber-Photographer Isaac Wright Will Give Even the Most Passionate Adrenaline Junkie Vertigo
Hollywood Reporter|3/18/2026
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‘Drag’ Review: Lizzy Caplan Headlines a Twisted, Tongue-in-Cheek Robbery Thriller That Overstays Its Welcome
Hollywood Reporter|3/17/2026
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‘Love Language’ Review: Chloë Grace Moretz in a Romantic Dramedy That Offers Plenty of Talk but Too Little Feeling
Hollywood Reporter|3/17/2026
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‘Pretty Lethal’ Review: Uma Thurman Is Underutilized in a Ballet-Themed Amazon Thriller That Falls Short of Its Potential
Hollywood Reporter|3/16/2026
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‘Power Ballad’ Review: Paul Rudd and Nick Jonas Strike a Beautiful Chord in John Carney’s Crowd-Pleasing Musical Dramedy
Hollywood Reporter|3/16/2026
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‘The Rise of the Red Hot Chili Peppers: Our Brother, Hillel’ Review: Netflix Doc Is Funny and Moving, but Could Use More Hillel Slovak
Hollywood Reporter|3/15/2026
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‘Mike & Nick & Nick & Alice’ Review: Vince Vaughn and James Marsden in a Time-Traveling Hulu Comedy That Packs a Bloody Fun Punch
Hollywood Reporter|3/15/2026
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‘Manhood’ Review: Documentary Takes a Graphic, Compassionate Look at the Wild World of Penile Enhancement
Hollywood Reporter|3/15/2026
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‘Chili Finger’ Review: Judy Greer and Bryan Cranston Star in a Tabloid-Inspired Comedy That Torments You With Quirk
Hollywood Reporter|3/14/2026
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‘Ready or Not 2: Here I Come’ Review: Samara Weaving and Sarah Michelle Gellar in a Sequel That Can’t Quite Conjure the Original’s Dark Magic
Hollywood Reporter|3/14/2026
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‘Kill Me’ Review: Charlie Day and Allison Williams in a Mental Health Murder Mystery That’s More Bruising Than Satisfying
Hollywood Reporter|3/13/2026
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‘I Love Boosters’ Review: Keke Palmer and Demi Moore in Boots Riley’s Blisteringly Funny, Joyfully Rousing Anti-Capitalist Satire
Hollywood Reporter|3/13/2026
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‘Reminders of Him’ Review: Maika Monroe Stars in a Colleen Hoover Adaptation That Works Hard to Make You Cry (And Will Likely Make You Cringe)
Hollywood Reporter|3/11/2026
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‘War Machine’ Review: Alan Ritchson’s Charisma Can’t Save This Hopelessly Basic Netflix Sci-Fi Actioner
Hollywood Reporter|3/6/2026
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‘Hoppers’ Review: Pixar Returns to Form With a Giddy Action Comedy That Makes a Winning Case for Respecting the Balance of Nature
Hollywood Reporter|3/2/2026
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‘Scream 7’ Review: Put a Knife in It — This Franchise Is (or Should Be) Done
Hollywood Reporter|2/26/2026
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‘The Ballad of Judas Priest’ Review: Leather-Clad Heavy Metal Pioneers Are Nice Working-Class English Lads Who Enjoy a Good Cup of Tea
Hollywood Reporter|2/24/2026
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‘Wolfram’ Review: Warwick Thornton Deftly Reframes Painful Indigenous Australian Experience Through the Lens of Classic Western Archetypes
Hollywood Reporter|2/23/2026
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‘Salvation’ Review: Mystical Visions, Folkloric Superstitions and Political Alarmism Combine to Unsettling Effect in Anatomy of a Massacre
Hollywood Reporter|2/21/2026
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‘Soumsoum, the Night of the Stars’ Review: A Slow-Burn Mélange of African Folklore and Teen Horror, Set Against a Stunning Desert Backdrop
Hollywood Reporter|2/20/2026
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‘Moscas (Flies)’ Review: Mexican Director Fernando Eimbcke Returns to His Roots With Simple, Sweet, Emotionally Resonant B&W Charmer
Hollywood Reporter|2/20/2026
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‘The Dreadful’ Review: Sophie Turner and Kit Harington Reunite for a Tedious Horror Film Almost Redeemed by a Bonkers Marcia Gay Harden
Hollywood Reporter|2/19/2026
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‘Home Stories’ Review: An Intriguing if Unsatisfying Multigenerational Portrait of a Family in a Small East German Town
Hollywood Reporter|2/18/2026
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‘Tutu’ Review: Sam Pollard’s Powerful and Deeply Personal Doc Portrait of South African Leader Desmond Tutu
Hollywood Reporter|2/18/2026
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‘The Blood Countess’ Review: Isabelle Huppert Sinks Her Teeth Into a Juicy Slice of Vampire Camp That Looks Ravishing but Wears Thin
Hollywood Reporter|2/18/2026
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‘Midwinter Break’ Review: Lesley Manville and Ciarán Hinds Star in a Marital Crisis Drama That’s Low-Key to a Fault
Hollywood Reporter|2/17/2026
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‘We Are All Strangers’ Review: A Micro-Macro Lens Reveals Beauty and Poetry in the Everyday Lives of a Singaporean Family
Hollywood Reporter|2/17/2026
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‘Nina Roza’ Review: A Bulgarian Exile Returns to His Roots in This Insightful, Lyrically Crafted Drama of Art and Estrangement
Hollywood Reporter|2/16/2026
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‘EPiC: Elvis Presley in Concert’ Review: Baz Luhrmann Raids the Vaults for an Electrifying Companion Piece to His 2022 Bio-Drama
Hollywood Reporter|2/16/2026
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‘A Prayer for the Dying’ Review: Johnny Flynn and John C. Reilly Face a Test of Moral Fiber in a Dazzling Debut
Hollywood Reporter|2/16/2026
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‘A Child of My Own’ Review: Award-Winning Chilean Documaker Maite Alberdi Ventures North to Mexico for a Chronicle of a Faked Pregnancy
Hollywood Reporter|2/15/2026
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‘Animol’ Review: Knife-Edge Youth Prison Drama Featuring Stephen Graham Is a Tough Watch Tempered With Vulnerability, Heart and Hope
Hollywood Reporter|2/15/2026
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‘Rosebush Pruning’ Review: Callum Turner, Riley Keough, Jamie Bell and Elle Fanning Serve up Shallowness With Style in Mixed-Bag Satire
Hollywood Reporter|2/14/2026
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‘Dao’ Review: A Sprawling, Unruly, Intermittently Compelling Ensemble Drama That Hops Between France and Africa
Hollywood Reporter|2/14/2026
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‘Yellow Letters’ Review: ‘The Teachers’ Lounge’ Director Delivers a Modern-Day Political Parable That’s Strongly Acted but Hampered by Vagueness
Hollywood Reporter|2/13/2026
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‘Everybody Digs Bill Evans’ Review: Anders Danielsen Lie, Laurie Metcalf and Bill Pullman in a Portrait of a Jazz Legend That Never Hits a Wrong Note
Hollywood Reporter|2/13/2026
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‘Sunny Dancer’ Review: Bella Ramsey Stars as a Teen Cancer Survivor in a Sentimental but Sporadically Bracing Coming-of-Ager
Hollywood Reporter|2/13/2026
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‘Mouse’ Review: Sophie Okonedo Leads a Gorgeous Cast in a Deeply Felt Coming-of-Age Drama Dappled With Tender Truths
Hollywood Reporter|2/13/2026
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‘In a Whisper’ Review: Hiam Abbass in an Eloquent Tunisian Drama About Clandestine Homosexuality
Hollywood Reporter|2/13/2026
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‘No Good Men’ Review: Patriarchy Makes an Easy Target Even if Nuance Is Mostly Elusive in Underwhelming Berlin Opener
Hollywood Reporter|2/12/2026
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‘Crime 101’ Review: Chris Hemsworth, Halle Berry and Mark Ruffalo Headline a Lavishly Crafted Thriller That’s Less Than the Sum of Its Polished Parts
Hollywood Reporter|2/11/2026
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‘Nirvanna the Band the Show the Movie’ Review: A Patience-Testing Canadian Mockumentary
Hollywood Reporter|2/9/2026
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‘The Mysterious Gaze of the Flamingo’ Review: A Tender Chilean Coming-of-Ager Turns the AIDS Epidemic Into a Surreal Trans Western
Hollywood Reporter|2/2/2026
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‘Cookie Queens’ Review: Girl Scouts Hit the Streets to Sell the American Dream Via Baked Goods in Irresistible Doc
Hollywood Reporter|1/26/2026
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‘Gail Daughtry and the Celebrity Sex Pass’ Review: David Wain Gleefully Makes Comedy Dumb Again, With Assists From Zoey Deutch and Jon Hamm
Hollywood Reporter|1/26/2026
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Yoshi and Birdo arrive in new trailer for The Super Mario Galaxy Movie, along with an earlier release date
Engadget|1/25/2026