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‘Moonlight’ Turns 10: Tarell Alvin McCraney on the Film’s Lasting Legacy and That Best Picture Mix-Up
IndieWire|10/22/2026
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Artists Equity’s Amy Baer on Building a Sustainable Indie Model with Movies That Don’t Star Matt Damon or Ben Affleck
IndieWire|10/22/2026
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Sandra Hüller’s Star Keeps Rising, but She’s Still Adjusting to Life in the Public Eye
IndieWire|10/22/2026
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Nathan Fielder Was Not Supposed to Be in ‘You Can See Everything’
IndieWire|10/21/2026
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Alden Ehrenreich Has a Lot of Opinions About His Career — and About Steve Urkel
IndieWire|10/20/2026
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‘Clayface’ Introduces DC Studios’ Gotham City — but Director James Watkins Never Felt Pressure to Set Up Future Films
IndieWire|10/20/2026
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The Cast of the New ‘Sense and Sensibility’ Is Just as Good as in the Beloved 1995 Version
IndieWire|10/19/2026
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‘You Can See Everything’: Nathan Fielder Was So Skeptical He Could Break New Ground in Elizabeth Holmes Story, He Negotiated a Kill Switch with A24
IndieWire|10/19/2026
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Léa Seydoux Became Fearless After the Controversies of ‘Blue Is the Warmest Color’ — She’s Doing It Again with ‘Gentle Monster’
IndieWire|10/18/2026
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‘Street Fighter’ Filmmaker Kitao Sakurai Built His Video Game Movie on Both Jolt Cola and Robert Altman Films
IndieWire|10/16/2026
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Courteney Cox Had a Vision for Her ‘Evil Genius,’ and ‘Friends’ — Surprisingly — Played an Important Role
IndieWire|9/12/2026
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Caleb Hearon Never Expected to Make ‘Trash Mountain’ — or Play His First Starring Role in It
IndieWire|9/12/2026
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Jesse Eisenberg’s ‘The Debut’ Serves Up an Oscar-Worthy Julianne Moore — Here’s How He Did It
IndieWire|9/6/2026
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Danny Boyle Talks Returning to Telluride and Fighting to Make His Tabloid Sensation ‘Ink’
IndieWire|9/6/2026