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The Sketch Comedy Team Behind ‘Pizza Movie’ Delivers a Stoner Comedy High on Cinema Itself
IndieWire|4/2/2026
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Filmmaker Toolkit Podcast
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The Hardest Scene to Craft in ‘Ready or Not 2: Here I Come’ Didn’t Involve Any Blood at All
IndieWire|3/19/2026
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Maggie Gyllenhaal on How ‘The Bride!’ Cracks Hollywood Fantasies Wide Open
IndieWire|3/11/2026
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‘Industry’ Creators on Mapping Yasmin’s Arc from Wallflower to Ghislaine Maxwell
IndieWire|3/3/2026
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‘Sinners’ Cinematographer Autumn Durald Arkapaw on Her Chance to Make Oscar History: ‘When Women Are Met with Opportunity, the Sky’s the Limit’
IndieWire|2/27/2026
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Showrunner Ira Parker on Bringing Whimsy and Western Spirit to ‘A Knight of the Seven Kingdoms’
IndieWire|2/23/2026
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Baz Luhrmann on Telling Elvis Presley’s Story in the King’s Own Words
IndieWire|2/22/2026
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‘Zootopia 2’: The Pawbert Twist, Andy Samberg, and the Big Last Minute Fix
IndieWire|2/19/2026
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Richard Baneham and Eric Saindon on the ‘Never Easy’ Visual Effects of ‘Avatar: Fire and Ash’
IndieWire|2/17/2026
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Mary Bronstein on the Primal Screams of Humans and Hamsters in ‘If I Had Legs I’d Kick You’
IndieWire|2/12/2026
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‘Sirāt’: Is This Oscar Contender with a Brutal Twist Actually Hopeful?
IndieWire|2/10/2026
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Adapting ‘Train Dreams’: Clint Bentley on Why Changing One of the ‘Greatest Endings in Literature’ Mattered
IndieWire|2/6/2026
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Paul Feig on Channeling His Inner Hitchcock and Sergio Leone for the Hit Thriller ‘The Housemaid’
IndieWire|1/26/2026