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Tom Cruise’s ‘Days of Thunder’ Sequel Set for June 2028 with Anne Hathaway Joining
IndieWire|8/29/2026
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Stories (Latest First)
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Ridley Scott Casts His Crews as Carefully as His Movies So That He ‘Can Just Play Tennis’
IndieWire|8/29/2026
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Who Should Be the Next James Bond? Probably Not Jacob Elordi or Harris Dickinson
IndieWire|8/28/2026
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The Isaac Mizrahi Documentary ‘Unzipped’ Is the Ultimate ’90s Fashion Portrait — Watch the Trailer
IndieWire|8/28/2026
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Ridley Scott on Telling Love Stories from ‘Thelma and Louise’ to ‘The Dog Stars,’ Shooting With 11 Cameras, and Why Silence Is the Best Sound Effect
IndieWire|8/28/2026
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‘The Uprising’ Thinks It Needs Robin Hood, but the Peasants’ Revolt Was Already Exciting Enough
IndieWire|8/28/2026
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‘The World Is a Lot Right Now’: Watch Kane Parsons and ‘It Ends’ Director Alex Ullom Try to Explain the Liminal Horror Craze
IndieWire|8/28/2026
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Julianna Barwick and Mary Lattimore Share Songs From New Film Score
Pitchfork|8/28/2026
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Indie Box Office Report Card: From ‘Backrooms’ and ‘Obsession’ to ‘I Want Your Sex,’ Breaking Down the Summer’s Winners and Losers
IndieWire|8/28/2026
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‘A Talent for Murder’ Trailer: Helen Mirren Is Patricia Highsmith Opposite Alden Ehrenreich in Anton Corbijn’s Literary Thriller
IndieWire|8/28/2026
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Frank Sinatra’s Last Great Performance Served as the Bridge Between ‘Dirty Harry’ and ‘Se7en,’ but Was Bleaker Than Either
IndieWire|8/28/2026
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Dave Franco and Nicholas Braun Explain Why They Waited Eight Years to Make ‘Idiots’
IndieWire|8/28/2026
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‘The Whisper Man’ Review: Robert De Niro Classes Up a Standard Serial Killer Procedural
IndieWire|8/28/2026
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Festival Crowdpleaser ‘The Cycle of Love’ Took a Year to Reach Theaters — but Could Break Through at the Oscars
IndieWire|8/27/2026
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‘Fjord’ Trailer: Sebastian Stan and Renate Reinsve Battle the Backrooms of the Norwegian State in Palme d’Or Winner
IndieWire|8/27/2026
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‘Filipiñana’ Review: A Manila Golf Course Hides the Sinister History of Colonialism in a Languid Satire Executive Produced by Jia Zhangke
IndieWire|8/27/2026
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John Wilson’s ‘The History of Concrete’ Trailer Goes Everywhere There Is Concrete
IndieWire|8/27/2026
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Peter Cullen Was More Than Just the Iconic Voice of Beloved Characters — He Was an Undeniable Force
IndieWire|8/27/2026
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This Year’s New York Film Festival Will Feature Talks with Martin Scorsese, James Gray, Mike Leigh, Sofia Coppola, Ava DuVernay, and More
IndieWire|8/27/2026
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Lambchop Wince Through a Disastrous Radio Interview in New Short Film
Pitchfork|8/27/2026
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Ridley Scott on How ‘The Shining’ and ‘The Odd Couple’ Influenced ‘The Dog Stars’
IndieWire|8/27/2026
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AMC and Other Big Chains Have Endorsed the Paramount-Warner Bros. Merger, but for Indie Theaters ‘the Devil Is in the Details’
IndieWire|8/27/2026
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‘Possible Love’ Trailer: ‘Burning’ Director Lee Chang-dong Returns with a Story of Documentary Filmmaking Gone Awry
IndieWire|8/27/2026
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‘Coyote vs. Acme’ Review: Thank Goodness This Clever Comedy About the Evils of Corporate Greed Was Rescued from Corporate Hell
IndieWire|8/26/2026
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Indie Specialized Box Office: Alex Ullom’s ‘It Ends’ Gets Solid Start via 36-Hour Marathon Screening
IndieWire|8/26/2026
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‘The Dog Stars’ Review: Jacob Elordi and Josh Brolin Can’t Save Ridley Scott’s Bizarrely Inert Post-Apocalypse Movie from Near-Disaster
IndieWire|8/26/2026
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Dolly Parton, Iconic Singer/Songwriter and ‘9 to 5’ Star, Dies at 80
IndieWire|8/25/2026
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‘The Sun Never Sets’ Review: A Career-Best Dakota Fanning Navigates Dueling Love Triangles in Joe Swanberg’s Delightful Alaskan Romance
IndieWire|8/25/2026
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‘NAZA’ Documentary from ‘No Other Land’ Directors Yuval Abraham and Rachel Szor Sets North American Premiere at NYFF
IndieWire|8/25/2026
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Modern Hollywood Keeps Failing Looney Tunes. Will ‘Coyote vs. Acme’ Finally Get It Right?
IndieWire|8/25/2026
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Paul Thomas Anderson’s New Concert Film ‘Cameron Winter at Carnegie Hall’ Sets Fall Roadshow Release
IndieWire|8/25/2026
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‘The Pitt,’ ‘All Her Fault,’ and More Among Nominees for The DARCYS 2026
IndieWire|8/25/2026
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Universal Film, Focus Features Extend Partnership with Sundance Institute to Support Rising Filmmakers
IndieWire|8/25/2026
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‘Ali G: Who Iz I?’ Trailer: Sacha Baron Cohen Resurrects His Original Man-on-the-Street Character
IndieWire|8/25/2026
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‘Environmental violence’: inside the fight to save indigenous land from becoming a nuclear dumping ground
The Guardian Environment|8/25/2026
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Sumerian Pictures Acquires North American Rights to ‘Butthole Surfers: The Hole Truth and Nothing Butt’
IndieWire|8/24/2026
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New York City’s East Side Will Lose Yet Another Movie Theater with Imminent Closure of AMC Kips Bay
IndieWire|8/24/2026
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Indie Star Joe Swanberg Never Really Left — but He’s Definitely Back Now
IndieWire|8/24/2026
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‘Call My Agent’ Is Getting Its First Movie — Can the Beloved French Farce Delight Fans New and Old?
IndieWire|8/24/2026
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‘Buddy’ Review: Casper Kelly’s Bloodthirsty Riff on ‘Barney’ Is the First Great Midnight Movie of 2026
IndieWire|8/24/2026
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Cannes 2026 Movies Sold: Javier Bardem-Starrer ‘The Beloved’ Goes to Kino Lorber
IndieWire|8/24/2026
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A24’s ‘Tony’ Heats Up Indie Box Office, Earning an Impressive $5 Million
IndieWire|8/23/2026
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‘Spa Weekend’ Review: These Funny Women Deserve a Much Better Break
IndieWire|8/20/2026
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American Film Market Expands to Include AI and Tech Companies
IndieWire|8/12/2026
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‘The End of Oak Street’ Review: David Robert Mitchell Delivers the Biggest Surprise of the Summer with the Best Dinosaur Movie Since 1993
IndieWire|8/12/2026
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Who Thought Using a Podcast Hosted by AI Dogs to Promote ‘The End of Oak Street’ Was a Good Idea?
IndieWire|8/10/2026
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‘Obsession’s Michael Johnston In Early Talks To Join Next ‘Mummy’ Film From Universal Pictures - Deadline
Deadline|7/27/2026
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What the Merging of Two Major Completion Bond Guarantors Means for Indie Films
IndieWire|7/21/2026