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Netflix Is Finally Reporting Box Office Data. Why Is It Starting with ‘La Bola Negra’?
IndieWire|10/14/2026
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Stories (Latest First)
UNVERIFIEDSingle Source
Liam Neeson’s Stunt Double of Nearly 30 Years Steps Behind the Camera for ‘The Mongoose’
IndieWire|10/14/2026
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‘Whalefall’ Review: Austin Abrams Battles a Bellyful of Daddy Issues in Brutal Survival Thriller
IndieWire|10/14/2026
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‘Josephine’ Trailer: Channing Tatum and Gemma Chan Can’t Parent Away an Act of Violence
IndieWire|10/14/2026
BREAKINGMulti-Source
From ’You Can See Everything’ to ’14th’ and ‘Musk,’ DOC NYC 2026 Reveals Influential Awards Short List
IndieWire|10/14/2026
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John Wilson’s ‘The History of Concrete’ Crosses $2 Million at Box Office, Becoming a Major Documentary Hit for Magnolia
IndieWire|10/14/2026
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‘The Flying Ace’ Turns 100, Bringing a Forgotten Black Disabled Actor Back Into Focus
IndieWire|10/14/2026
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American Black Film Festival Expands Into Theatrical Distribution with Launch of ABFF97
IndieWire|10/14/2026
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The New ‘Sense and Sensibility’ Introduces a Different Marianne Dashwood, and a Breakout Star in Esmé Creed-Miles
IndieWire|10/14/2026
BREAKINGMulti-Source
‘The Magician’s Nephew’ Trailer: A Stairway to Narnia as Only Greta Gerwig Could Build It
IndieWire|10/13/2026
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’14th’ Leads 2026 Critics Choice Documentary Award Nominations
IndieWire|10/13/2026
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‘Sense and Sensibility’ Review: Daisy Edgar-Jones and George MacKay Suffuse an Unfussy Jane Austen Adaptation with Earthly Sensuality
IndieWire|10/13/2026
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‘Being Heumann’ Trailer: Siân Heder’s ‘CODA’ Follow-Up Is a Rousing Biopic About a True American Hero
IndieWire|10/12/2026
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Sebastian Stan on ‘Batman: Part II,’ the Political Message of ‘Fjord,’ and Transforming Himself on Screen
IndieWire|10/12/2026
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Meet the Breakout Talents of the 2026 Fall Film Festivals
IndieWire|10/12/2026
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‘Other Mommy’ Scared Up $27.5 Million with Marketing Better Than the Movie. What Now?
IndieWire|10/12/2026
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‘Wildwood’ Review: Laika’s Epic Stop-Motion Wonder Lacks the Magic of the Studio’s Best Movies
IndieWire|10/11/2026
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‘The Pitt,’ ‘Take Me Home,’ and More Win at The DARCYS 2026
IndieWire|10/11/2026
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‘In a Violent Nature: Part 2’ to Release Valentine’s Day Weekend 2027
IndieWire|10/10/2026
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Oscars: U.K. Selects ‘Rehearsals for a Revolution,’ Documentary About Iran, as Best International Feature Entry
IndieWire|10/10/2026
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‘Ray Gunn’ Review: Brad Bird’s Longtime Passion Project Is a Retro-Futurist Detective Story with a Muddled Message
IndieWire|10/10/2026
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IndieWire’s Future of Filmmaking Summit to Feature ‘Pitch Me’ Panel on Finding Breakout Hits with Top Execs and Agents
IndieWire|10/9/2026
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Historic Long Island Indie Theatre in Crisis After Beloved Co-Director Fired: Protests, Cancellations, Accusations of ‘Disloyalty’
IndieWire|10/9/2026
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Why ‘The Social Reckoning’ Reimagines Facebook’s Offices as a Palace of Fear
IndieWire|10/9/2026
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‘Drinking and Driving’ Review: Avalon Fast and Jillian Frank Wonder If Empty Rural Hedonism Can Ever Give Way to Transcendence
IndieWire|10/9/2026
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Greta Lee, Rebecca Ferguson, and Carrie Coon Rom-Com ‘Honeymoon/Funeral’ Lands at Black Bear
IndieWire|10/9/2026
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Meryl Streep Almost Didn’t Watch the Six-Hour ‘My Undesirable Friends’ — Then, Colin Firth Led Her to Executive Produce It
IndieWire|10/9/2026
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‘Bird in Hand’ Trailer: A Wedding on ‘Rebranded’ Plantation Is Just the Start in Farcical Film Unafraid of Real Drama
IndieWire|10/9/2026
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Submit Your Short to This Italian Film Festival and Nicolas Winding Refn’s Jury, and MUBI Could Distribute It
IndieWire|10/9/2026
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‘Animals’ Review: Ben Affleck’s Tedious New Netflix Thriller Is Quite Literally Just Bad TV
IndieWire|10/8/2026
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Chris Rock Stopped Trying to Imitate Adam Sandler, and Came Out of the Arthouse Closet
IndieWire|10/8/2026
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What Awards Is ‘You Can See Everything’ Even Eligible for?
IndieWire|10/8/2026
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Crew Members on Ben Shapiro’s Pro-ICE Film Were Surprised by the Movie’s MAGA Politics. What Did They Deserve to Know?
IndieWire|10/8/2026
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Cannes Prize Winner ‘Ben’Imana’ Becomes First Best International Feature Oscar Submission for Rwanda
IndieWire|10/8/2026
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Britons kept in dark about scale of climate crisis, say viewers of ‘first-of-its-kind’ emergency briefing
The Guardian Environment|10/8/2026
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‘Prima Facie’ Review: Cynthia Erivo Stars in Tonally Confused Screen Treatment of Provocative #MeToo Stage Play
IndieWire|9/14/2026
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Courteney Cox Had a Vision for Her ‘Evil Genius,’ and ‘Friends’ — Surprisingly — Played an Important Role
IndieWire|9/12/2026
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‘The Julia Set’ Review: Chase Infiniti Is a Genius in a Movie Lacking Serious Brain Power
IndieWire|9/12/2026
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Caleb Hearon Never Expected to Make ‘Trash Mountain’ — or Play His First Starring Role in It
IndieWire|9/12/2026
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‘The Housewife’ Review: Naomi Watts Stuns, but This True Story Flounders Under Its Own Weight
IndieWire|9/11/2026
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Danny Boyle Talks Returning to Telluride and Fighting to Make His Tabloid Sensation ‘Ink’
IndieWire|9/6/2026
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‘The Difficult Bride’ Turns South Asia’s Beloved Wedding Tropes Into Feminist Folk Horror at Venice
IndieWire|9/5/2026
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Venice Film Festival: Clooney, conflicts and competition dominate as ceremonies begin
Euronews|9/2/2026
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American Film Market Expands to Include AI and Tech Companies
IndieWire|8/12/2026
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‘Obsession’s Michael Johnston In Early Talks To Join Next ‘Mummy’ Film From Universal Pictures - Deadline
Deadline|7/27/2026