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‘Her Private Hell’ Review: More Like Our Public Anguish, Nicolas Winding Refn’s Ghastly Thriller Despises Its Audience
IndieWire|7/20/2026
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‘Avatar Aang: The Last Airbender’ Review: A Sequel Film to the Beloved Animated Series Captures Its Beauty, but Not Its Spirit
IndieWire|7/20/2026
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‘The Kidnapping of Arabella’ Review: Chris Pine Speaks Fluent Italian in a Quirky Road Movie That Offers Equally Unexpected Surprises at Every Turn
IndieWire|7/17/2026
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‘The Hawk’ Review: Will Ferrell’s First Netflix Series Is a Lame Comedy — or a Bizarre Addiction Drama
IndieWire|7/16/2026
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‘The Odyssey’ Review: Christopher Nolan Defies the Gods with a Staggering Epic About Fate, Family, and the Future of Living in a Broken World
IndieWire|7/15/2026
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‘Ride or Die’ Review: Hannah Waddingham and Octavia Spencer Liven Up Amazon’s Generically Fun Action-Comedy
IndieWire|7/15/2026
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‘Lucky’ Review: Anya Taylor-Joy’s Well-Acted Apple Series Is More Plucky Than Good
IndieWire|7/15/2026