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‘The Ballad of Judas Priest’ Review: Leather-Clad Heavy Metal Pioneers Are Nice Working-Class English Lads Who Enjoy a Good Cup of Tea
Hollywood Reporter|2/24/2026
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Berlin Film Festival Reviews
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‘Wolfram’ Review: Warwick Thornton Deftly Reframes Painful Indigenous Australian Experience Through the Lens of Classic Western Archetypes
Hollywood Reporter|2/23/2026
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‘Salvation’ Review: Mystical Visions, Folkloric Superstitions and Political Alarmism Combine to Unsettling Effect in Anatomy of a Massacre
Hollywood Reporter|2/21/2026
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‘Yo (Love Is a Rebellious Bird)’ Review: A Filmmaker’s Moving, Joyful, Formally Inventive Doc Tribute to Her Free-Spirited Friend
Hollywood Reporter|2/20/2026
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‘Soumsoum, the Night of the Stars’ Review: A Slow-Burn Mélange of African Folklore and Teen Horror, Set Against a Stunning Desert Backdrop
Hollywood Reporter|2/20/2026
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‘Moscas (Flies)’ Review: Mexican Director Fernando Eimbcke Returns to His Roots With Simple, Sweet, Emotionally Resonant B&W Charmer
Hollywood Reporter|2/20/2026
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‘A New Dawn’ Review: A Muddled but Strikingly Dreamy Animé About Firework Production
Hollywood Reporter|2/19/2026
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‘Home Stories’ Review: An Intriguing if Unsatisfying Multigenerational Portrait of a Family in a Small East German Town
Hollywood Reporter|2/18/2026
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‘Tutu’ Review: Sam Pollard’s Powerful and Deeply Personal Doc Portrait of South African Leader Desmond Tutu
Hollywood Reporter|2/18/2026
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‘The Blood Countess’ Review: Isabelle Huppert Sinks Her Teeth Into a Juicy Slice of Vampire Camp That Looks Ravishing but Wears Thin
Hollywood Reporter|2/18/2026
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‘Queen at Sea’ Review: Juliette Binoche Headlines a Striking, Stirring and Singularly Unsentimental Dementia Drama
Hollywood Reporter|2/17/2026
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‘We Are All Strangers’ Review: A Micro-Macro Lens Reveals Beauty and Poetry in the Everyday Lives of a Singaporean Family
Hollywood Reporter|2/17/2026
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‘Nina Roza’ Review: A Bulgarian Exile Returns to His Roots in This Insightful, Lyrically Crafted Drama of Art and Estrangement
Hollywood Reporter|2/16/2026
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‘At the Sea’ Review: Amy Adams Dances Up a Storm but the Trauma Drama Has Become an Over-Crowded Sub-Genre
Hollywood Reporter|2/16/2026
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‘Dust’ Review: A Pair of Shady Belgian Tech Edgelords Face Downfall in Timely but Plodding Portrait of Venality
Hollywood Reporter|2/16/2026
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‘A Prayer for the Dying’ Review: Johnny Flynn and John C. Reilly Face a Test of Moral Fiber in a Dazzling Debut
Hollywood Reporter|2/16/2026
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‘Animol’ Review: Knife-Edge Youth Prison Drama Featuring Stephen Graham Is a Tough Watch Tempered With Vulnerability, Heart and Hope
Hollywood Reporter|2/15/2026
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‘Rosebush Pruning’ Review: Callum Turner, Riley Keough, Jamie Bell and Elle Fanning Serve up Shallowness With Style in Mixed-Bag Satire
Hollywood Reporter|2/14/2026
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‘Collapse’ Review: A Stark and Scathing Meditation on the War in Gaza, Told from the Israeli Side of the Border
Hollywood Reporter|2/14/2026
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‘Dao’ Review: A Sprawling, Unruly, Intermittently Compelling Ensemble Drama That Hops Between France and Africa
Hollywood Reporter|2/14/2026
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‘Yellow Letters’ Review: ‘The Teachers’ Lounge’ Director Delivers a Modern-Day Political Parable That’s Strongly Acted but Hampered by Vagueness
Hollywood Reporter|2/13/2026
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‘Everybody Digs Bill Evans’ Review: Anders Danielsen Lie, Laurie Metcalf and Bill Pullman in a Portrait of a Jazz Legend That Never Hits a Wrong Note
Hollywood Reporter|2/13/2026
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‘Sunny Dancer’ Review: Bella Ramsey Stars as a Teen Cancer Survivor in a Sentimental but Sporadically Bracing Coming-of-Ager
Hollywood Reporter|2/13/2026
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‘Mouse’ Review: Sophie Okonedo Leads a Gorgeous Cast in a Deeply Felt Coming-of-Age Drama Dappled With Tender Truths
Hollywood Reporter|2/13/2026
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‘In a Whisper’ Review: Hiam Abbass in an Eloquent Tunisian Drama About Clandestine Homosexuality
Hollywood Reporter|2/13/2026
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‘No Good Men’ Review: Patriarchy Makes an Easy Target Even if Nuance Is Mostly Elusive in Underwhelming Berlin Opener
Hollywood Reporter|2/12/2026