Angelina Jolie and Salma Hayek Pinault on Their New Film ‘Without Blood’ and Spending ‘A Lot of Time Talking About Our Pain, Our Losses, Our Traumas’

Cate Blanchett To Attend Tokyo Film Festival With Displacement Film Fund Shorts

‘Up Against It’ Review: Antonio Banderas & Eva Birthisle In Trudie Styler’s Witty Comedy About Divorced Couple Forced To Conceive Baby To Save Their Daughter – Toronto Film Festival

‘Once Upon a Time in Harlem’ Wins Library of Congress Lavine/Ken Burns Prize for Film (Exclusive)

Dubai International Film Festival To Return In December 2027, As 2026 Edition Of Saudi Arabia’s Red Sea Film Festival Looks Uncertain

Alfonso Cuarón to Make First Korea Visit for Busan Film Festival

‘Magazine’ Review: Lily McInerny And Bright Young Cast Give Flavor To Pre-Digital Vanishing Era Of NY’s Literary World – Toronto Film Festival

Marcus Theatres and A24 End Months-Long Standoff Over Film Terms

Congress Gets a “Film and TV Caucus”: Bipartisan Group of Lawmakers Push for More U.S. Production

Cate Blanchett to Attend Tokyo Festival for Japan Premiere of Displacement Film Fund Shorts

Zhang Yimou to Lead Busan Film Festival Competition Jury

‘You Can See Everything’ Review: Shocking Elizabeth Holmes Documentary With Nathan Fielder Is Like No Other You Have Ever Seen – Telluride Film Festival

‘Once Upon a Time in Harlem’ Trailer: William Greaves’ Portrait of Harlem Renaissance Luminaries Is a Living Piece of History

‘NAZA’ Review: Israeli Military Accused Of Depraved Indifference To Palestinian Life, Using AI To Kill In Gaza – Venice Film Festival

‘Once Upon A Time In Harlem’ Trailer: Oscar Contender Reveals Extraordinary Reunion Of Harlem Renaissance Leaders

‘The Life and Deaths of Wilson Shedd’ Review: Amanda Seyfried Falls for a Convicted Killer in Tim Blake Nelson’s Sad and Sober Death Penalty Drama

‘The Life and Deaths of Wilson Shedd’ Review: Amanda Seyfried and Scoot McNairy Are Powerful in Tim Blake Nelson’s Twisty Dark-Side Prison Saga

A24 Reveals Telluride Secret Screening: It’s Nathan Fielder and Lance Oppenheim’s Documentary About Elizabeth Holmes

Telluride Awards Analysis: Nathan Fielder’s Off-the-Wall Elizabeth Holmes Doc Could Click with Academy — and Land Picture and Acting Noms

Trump Says He’s the Only AI ‘Guardrail’ Needed and Mocks Anthropic CEO’s Call for AI Slowdown: ‘Pretending to Be a Perfect Little Angel’

Nathan Fielder Focuses on Elizabeth Holmes in ‘You Can See Everything’ Documentary Trailer