Hollywood Reporter • 2/14/2026 – 2/15/2026

Indonesian filmmaker Edwin has returned to the Berlin International Film Festival with his new film, “Sleep No More.” This project marks Edwin's first significant venture into the horror genre, presenting a socially conscious horror-comedy that critiques capitalism. The film is set in a wig factory and transforms the theme of labor exploitation into a source of terror, aligning with the film's anti-capitalist message. “Sleep No More” is described as a darkly comic supernatural thriller, showcasing Edwin's evolution as a filmmaker. The film had its world premiere in the Berlinale Special Midnight section, highlighting its significance within the festival. Edwin's previous works have not primarily focused on horror, making this genre shift notable. The film's narrative explores the intersection of labor issues and horror, drawing inspiration from the works of other filmmakers, including Jordan Peele. Edwin's approach to storytelling in “Sleep No More” emphasizes the exploitation of workers and the societal implications of capitalism, positioning the film as a critique of contemporary labor practices. “Sleep No More” has garnered attention for its unique blend of horror and comedy, as well as its critical perspective on economic systems. Edwin's return to the Berlinale with this film signifies his continued engagement with socially relevant themes through innovative cinematic techniques. The film's reception at the festival may influence discussions around labor rights and the representation of exploitation in media.
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