Nintendo & Sony’s Live-Action Take Of Videogame ‘Zelda’ Gets Title

Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng

Sri Sri Ravi Shankar’s WFAC, Creativeland Take ‘Krishnavataram’ Global (EXCLUSIVE)

‘September 5’ Director Tim Fehlbaum Working on a ‘Historical Film’ Set in Berlin as Swiss Filmmakers Take on Challenges and Opportunities of Shooting in English

‘Dang!’ Review: Stephanie Hsu and Poppy Liu in Netflix’s Zany but Inconsistently Amusing Animated Take on Young Adulthood

Ellen Burstyn Cries as She Gets Venice Golden Lion for Lifetime Achievement: ‘It’s One Thing to Win an Oscar, Tony or Emmy — All of Which I’ve Won. But This Is a Lot’

Tom Rothman on Sony’s ‘Spider-Man: Brand New Day’ Blockbuster Success, Being Outbid for ‘Obsession’ and More

Korea’s Finecut Sells Toronto Title ‘Long Long Night’ & July Jung’s ‘Dora’ To Japan 

‘Dexter: Resurrection’ Gets Focused With Season 2 Premiere Date, Teaser Reveal

‘DWTS’ judge Carrie Ann Inaba addresses Julia Stiles, Jenna Dewan dance backgrounds

Podcaster Amanda Hirsch Apologizes for ‘Insensitive, Wrong’ Polymarket Lindsay Clancy Sponsored Content: ‘I Should Have Known Better’

Liam and Noel Gallagher Raise Fists and Electrify Venice as Oasis Doc Gets 8-Minute Standing Ovation

Jack O’Connell’s Ruthless Tabloid Editor in ‘Ink’ Fires Up Venice as Danny Boyle Drama Earns Warm 4-Minute Ovation

‘Oasis: Don’t Look Back In Anger’ Is About “Reconciliation, Redemption, And Forgiveness”, Says Steven Knight, As Liam & Noel Hit The Lido — Venice

‘Oasis: Don’t Look Back In Anger’ Review: The Gallagher Bros. Bury The Hatchet In A Sentimental But Funny Concert Movie – Venice Film Festival

Can Rupert Murdoch Origin Story ‘Ink’ Push Danny Boyle, Jack O’Connell, Guy Pearce, and Netflix Into the Oscar Race?

‘Ink’ Review: Danny Boyle’s Rupert Murdoch Pressure Cooker Is a Journalism Thriller Tabloid-Ready for Our Political Apocalypse

China Box Office: ‘Once Upon a Time in the Middle East’ Continues Dominance

Paul Thomas Anderson’s ‘Cameron Winter at Carnegie Hall’ Will World Premiere at This Year’s New York Film Festival

Original ‘Practical Magic’ Star Alexandra Artrip Addresses ‘Negativity’ Over Recasting in Sequel: They ‘Did What They Thought Was Best to Be Successful’

‘Oasis: Don’t Look Back in Anger’ Review: A Rich and Poignant Celebration of a Beloved Band’s Glorious and Improbable Return